d. 13th January 1979, New York, U.S.A.

Donny Hathaway hailed from Chicago, Illinois, although he grew up in St. Louis with his grandmother, Martha Cromwell, who was a respected Gospel singer in her own right.

Donny grew up, as did many of his contemporaries, with Gospel roots.

He studied music at Howard University in Washington during 1964, where his room mate was Leroy Hutson.

The pair were later to pen the song 'The Ghetto', together.

Donny majored in musical theory before performing in a cocktail jazz group called the Ric Powell Trio.

He was then employed as a producer with Curtis Mayfield's Curtom label, while a duet with June Conquest, 'I Thank You Baby', became his first hit in 1969.

Donny later worked at the Chess and Stax labels with The Staples Singers, Carla Thornas and Jerry Butler.

Donny was also, throughout the decade, battling severe bouts of depression, which occasionally required him to be hospitalized.

Sessions for a second album of duets with Roberta were underway when, on the 13th January 1979, Donny was found dead, at the age of 33, on the sidewalk below the 15th floor window of his room in New York's Essex House hotel.

The glass had been carefully removed from the window, and there were no signs of struggle, leading investigators to rule his death a suicide.

Donny's close friends were mystified, considering that his career had been on the ascendancy.

Towards the end of his life he suffered from personal and identity problems, which hospitalised him from time to time.

He left a number of children including daughter Lalah Hathaway.

In 1980, Hathaway achieved a posthumous U.K. number 3 hit with another Roberta Flack duet, 'Back Together Again'.

The coupling reached their pinnacle on the singles 'Where Is The Love' (1972) and 'The Closer I Get To You' (1978), both of which reached the U.S. Top 5.

Listen to this in the midnight hour. When you are at your wits end. When it seems like you are about to give up on life and everyone and everything has turned against  you.

Albums:

Everything Is Everything (Atco 1970)

Donny Hathaway (Atco 1971)

Donny Hathaway Live (Atco 1972)

Come Back Charleston Blue film soundtrack (1972)

with Roberta Flack: Roberta Flack And Donny Hathaway (Atlantic 1972)

Extension Of A Man (Atco 1973)

with Roberta Flack: Roberta Flack Featuring Donny Hathaway (Atlantic 1980)

In Performance (1980)

Curtis Mayfield

Induction Year: 1999

Induction Category: Performer

"Inductee: Curtis Mayfield (vocals, guitar; born 6/3/42, died 12/26/99)

Curtis Mayfield is among an elite few members of the Rock and Roll Hall of Fame who have been inducted more than once. Mayfield was first inducted with the Impressions in 1991 and then as a solo artist in 1999. His solo career, which began in 1970, is significant for the forthright way in which he addressed issues of black identity and self-awareness. He has been cited as an influence by such latter-day performers as Lenny Kravitz, Ice-T, Public Enemy and Arrested Development. Mayfield’s ability to voice hard truths through funky, uplifting music has rendered him one of the great soul icons.

In 1968, while still with the Impressions, Mayfield launched the Curtom label (his third, after the Mayfield and Windy C imprints). Two years later, his solo debut, Curtis, appeared. It contained one of his most forthright message songs, “Don’t Worry (If There’s a Hell Below We’re All Going to Go),” and was the first of eleven albums that he released in the Seventies. Whereas his Sixties work both with the Impressions and as a songwriter-producer defined Chicago soul-a regional scene comparable to Motown in Detroit and Stax in Memphis-Mayfield left his imprint on the Seventies by couching social commentary and keenly observed black-culture archetypes in funky, danceable rhythms. He explained the shift in subject matter as “a feeling in me that there need to be songs that relate not so much to civil rights but to the way we as all people deal with our lives.”

Working on a seemingly parallel track with Marvin Gaye circa What’s Going On, Mayfield’s second solo album, Roots (1971), sounded urgent pleas for peace and brotherhood over extended, cinematic soul-funk tracks that laid out a fresh musical agenda for the new decade. Mayfield’s solo career found him giving freer reign to his guitar playing, a choppy, rhythm-based style that owed much to his Chicago blues heritage and a self-devised tuning based on the black keys of the piano. His most popular and lasting work was Superfly, a film soundtrack in which he painted a gritty portrait of black life in America’s inner cities. Mayfield struck a creative and commercial motherlode with Superfly‘s smoldering rock-disco grooves and pointed social commentary. The soundtrack album yielded massive crossover hits in “Freddie’s Dead” and “Superfly.” Against a hypnotic backdrop of conga drums, strings and wah-wah guitar, Mayfield sang of a high-rolling ghetto drug dealer’s lifestyle in a sweet, stinging falsetto. As an aural document, Mayfield’s music for this classic “blaxploitation” film anticipated the reality-based rap and hip-hop of the Nineties.

Throughout his career Mayfield also shone brightly as a producer and songwriter for other artists, including soul and R&B giants like Jerry Butler and Major Lance (in the Sixties) and Aretha Franklin, the Staple Singers, and Gladys Knight and the Pips (in the Seventies). As a solo artist, he continued to score R&B hits into the mid-Eighties, many of them in a disco vein. Getting back to his roots, Mayfield joined the Impressions in 1983 for a reunion tour and revived his dormant Curtom label in 1990.

A freakish onstage accident in August 1990 left Mayfield paralyzed from the neck down. However, this tragedy did not diminish his spirit or end his career. In 1996, he released his 25th solo album, New World Order. In his own words: “How many 54-year-old quadriplegics are putting albums out? You just have to deal with what you got, try to sustain yourself as best you can, and look to the things that you can do.” Despite his positive attitude, Mayfield’s health steadily deteriorated. He lost a leg to diabetes in 1998 and died a year later at age 57. On that day, the music world lost a man of great talent and conscience. In the words of Aretha Franklin, “Curtis Mayfield is to soul music what Bach was to the classics and Gershwin and Irving Berlin were to pop music.”

TIMELINE

June 3, 1942: Curtis Mayfield is born in Chicago, Illinois.

1958: Curtis Mayfield joins the Impressions, a gospel-influenced R&B vocal group that enjoys great success in the Sixties with such groundbreaking singles as “Gypsy Woman,” “It’s All Right,” “Amen,” “People Get Ready,” “Woman’s Got Soul,” “We’re a Winner” and “This is My Country.”

December 4, 1961: Curtis Mayfield hits #2 on the R&B chart and #20 on the pop chart with “Gypsy Woman”.

November 9, 1963: Curtis Mayfield hits #1 on the R&B chart and #4 on the pop chart with “It’s All Right”.

1970: Curtis Mayfield leaves the Impressions to launch a solo career. His debut album, ‘Curtis’ —released on his own Curtom label—enters the charts in October. It contains frank, topical songs like “(Don’t Worry) If There’s a Hell Below We’re All Going to Go” and “We People Who Are Darker Than Blue.”

1972: Curtis Mayfield hits #4 with “Freddie’s Dead (Theme from Superfly)”.

October 21, 1972: ‘Superfly’ tops the Billboard’s album chart for the first of four weeks. This soundtrack to a film about a Harlem drug dealer’s attempt at a final “big score” delivers two major hits: “Freddie’s Dead” (#2 R&B, #4 pop) and “Superfly” (#5 R&B, #8 pop).

August 1, 1974: Curtis Mayfield makes the pop Top Forty for the last time with “Kung Fu,” which precedes Carl Douglas’s “Kung Fu Fighting” by two months. However, he’ll crack the R&B Top Forty a dozen more times between 1974 and 1981.

July 1, 1975: One of Curtis Mayfield’s most unflinchingly realistic and downbeat message albums, ‘There’s No Place Like America Today’, is released.

October 1, 1982: ‘Honesty’, Curtis Mayfield’s strongest album in years, appears to positive reviews.

August 13, 1990: Curtis Mayfield is paralyzed from the neck down after high winds cause a lighting rig to fall on him at a concert in Brooklyn, New York.

March 1, 1993: People Get Ready: A Tribute to Curtis Mayfield (Shanachie Records) is released. Mayfield favorites are covered by Jerry Butler, Don Covay, Steve Cropper (of Booker T and the M.G.’s) and others.

March 1, 1994: Curtis Mayfield is give the Grammy Legend Award at a ceremony in New York. This same month, All Men Are Brothers: A Tribute to Curtis Mayfield (Warner Bros.)—featuring covers by Aretha Franklin, Stevie Wonder, B.B. King, the Isley Brothers, Bruce Springsteen and Eric Clapton—is issued.

March 15, 1999: Curtis Mayfield is inducted into the Rock and Roll Hall of Fame at the fourteenth annual induction dinner.

December 26, 1999: Curtis Mayfield dies in Roswell, Georgia.

A statement of emotional liberation set to music, I Love You...Me chronicles Cherokee's abusive relationship with her former husband and creative partner. Musically, the album is a excellent blend of slick hip-hop and smooth '70s-style soul, but it suffers a bit from buried vocals and meandering melody lines. Not a bad debut effort, but while Cherokee's sultry vocals are capable of seducing, she needs more memorable hooks to keep listeners under her spell. ~ Steven Kurutz, All Music Guide

Formed in Philadelphia, USA, in 1965 and originally known as the Four Gents, the Delfonics featured:

William Hart (b. 17th January 1945, Washington, DC, U.S.A.)

Wilbert Hart (b. 19th October 1947, Philadelphia, Pennsylvania, U.S.A.)

Randy Cain (b. 2nd May 1945, Philadelphia, Pennsylvania, U.S.A.)

and Ritchie Daniels.

Albums:

La La Means I Love You (Philly Groove 1968)

The Sound Of Sexy Soul (Philly Groove 1969)

The Delfonics (Philly Groove 1970)

Tell Me This Is A Dream (Philly Groove 1972)

Alive And Kicking (Philly Groove 1974)